Mornings in Jenin: a book review*

By Mona Ezzat Abuhamda

*This book review was first published in the International Journal of Applied Psychoanalytic Studies in 2010.

In her first novel, Mornings in Jenin, Susan Abulhawa undertakes the daunting task of presenting a historical account of the Israeli occupation of Palestine from a refugee camp survivor’s perspective.  Her aim is to shed light on the Palestinian holocaust, the soul murder of generations, and the cruel indifference of a hypocritical world that promotes words like democracy, human rights, justice; freedom yet selectively mourns the atrocities and the violations that humans commit against humanity.

This book is an attempt to give a voice to the voiceless, to broadcast the headlines that are never published and to educate a world that willingly chooses ignorance as a defense against failure.  It is an attempt at humanizing a people that for decades have been humiliated and vilified and to preserve the memory of a besieged nation that continues to gasp for air, for life.

Image credit: Bloomsbury Publishing Image description: book cover of girl looking down at a landscape of trees.

Mornings in Jenin is a sensuous and poetic narrative.  The author’s exquisite descriptive capacity gave life to each character and a vivid sense of the places where the story is set.  Although her translation of the proverbs, phrases and prayers captures the essence of the Arabic culture and tradition, Abulhawa’s insistence on the use of the Arabic words exemplifies (especially to a native speaker) the lyrical and passionate nature of the Arabic language and people.  Abulhawa evokes the senses with her depiction of the colors, clothes, the aroma of trees and flowers, the glowing images of Arab features, the eroticism, the skill and pride with which food is prepared and offered, the imperative virtue of generosity that every Arab must possess.  The oneness of a people and a land bonded together by olives, figs and citrus fruits. 

“Trees like beckoning grandparents, hundreds of years old, wrinkled and stooped with heavy arms that stretched to every direction, as if in prayer.”

She eloquently exposes the brutality of everyday life in a refugee camp, in an occupied land, while trying to connect with the reader on a personal level as she integrates poetry, sibling rivalry, love making, friendships and breakups, death and heartaches, fears, distance, longing, lust, betrayal, inferiority and disappointment.  She walks the reader through the transformations that earn oppression, war and subjugation a guilty verdict under the laws of any land.  “Nothing could be counted on to endure.” A “fiery Bedouin girl with a bright colored thob and jingling footsteps” becomes a woman with a “deflowered spirit.” A once handsome and gentle son/brother/husband and father describes “a storm that brews inside” and “demonic wrath bubbling in his veins.”  Children who can’t play. A land once fertile owing to 40 generations of experienced Palestinian farming now barren.

Abulhawa also seems to have gone on a personal journey of self-discovery through her characters.  Amal’s experience of being both Amal “the Palestinian” and Amy “the American” is one example.  Challenged by living in two opposing worlds simultaneously, both externally and internally - one of deprivation, abandonment fear and despair and another marked by a sense of excess yet void of feelings and meaning.

“In my bitterness and fear, I felt as alone as loneliness dares to be”. 

She describes her character’s sense of being known to others and to herself as two different people and the impact of that experience on the psyche. 

“I shut down and my defenses pricked anyone who dared to come near me” 

Abulhawa’s book offers a new voice to an old crisis.  The integration of politics and fiction leaves some room for the reader to agree or disagree with the facts of the Palestinian/Israeli conflict.  In many ways, it bridges the gap between the enemies in the form of everyday human relatedness and shared experiences of being victims of hatred and injustice.  The final chapters of the book show the footprints of war evidenced by the destruction of so many lives and the urgency with which reconciliation must be found in the truth. 

“Healing and peace can begin only with acknowledgment of wrongs committed.”

A righteous message and a worthwhile read.

About Mona

Dr. Abuhamda began her graduate studies at Regent's College in London in 1993 and received her doctoral degree from the George Washington University in 2003. She has cultivated a distinguished career centered on providing clinical support to immigrants, refugees and marginalized BIPOC communities. Currently, she is serving on the board of the New Washington School of Psychiatry as a co-chair for the diversity committee and is a board member and chair of the diversity committee at the Virginia Academy for Clinical Psychologists. Originally from Cairo, Egypt, Dr. Abuhamda is fluent in Arabic and is in private practice in Mclean, VA.

For questions and comments about this review, contact Mona at admin@divpsy.com.